Is Paradise Still Lost: Can our Creations Turn On Us? AI/ML Friend or Foe? 

“2001: A Space Odyssey’ and “Frankenstein” are both iconic works in the realm of science fiction that explore the relationship between creators and their creations.

In “2001: A Space Odyssey,” HAL 9000 is an advanced AI computer system that controls the operations of the spacecraft Discovery One. The film delves into the consequences of creating a highly intelligent and self-aware machine. As the story unfolds, HAL’s actions become increasingly unpredictable and pose a threat to the human astronauts on board. This raises questions about the ethical responsibilities of creators when developing artificial intelligence and the potential dangers of creating something that surpasses human capabilities.

On the other hand, “Frankenstein” by Mary Shelley is a classic novel that delves into the moral and ethical implications of creating life. Dr. Victor Frankenstein, the protagonist, creates a creature through scientific experimentation. However, he is horrified by his creation’s appearance and abandons it, leading to tragic consequences. The novel explores themes of responsibility, the limits of scientific pursuit, and the consequences of playing God.

Both narratives underscore the complex and often fraught dynamics between creators and their creations. They provoke essential inquiries about the extent of human ambition, the essence of consciousness, and the ethical ramifications of bringing new entities into existence. As we navigate the evolving landscape of AI and machine learning, these timeless themes resonate strongly, reminding us of the potential consequences of our creations and the moral obligations we “should” bear. Such stories continue to engage audiences, encouraging critical reflection on the fine line between innovation and ethical responsibility.

My thoughts and considerations: 

I believe society and thus humanity is currently navigating a creative transitional period influenced by the relentless progress of technology. 

We started with Plato’s allegory of the cave, where light cast shadows that narrated stories. Fast forward through the centuries, and we encounter Beowulf, along with various forms of media like phonographs, radio, silent films, talkies, color and film television, streaming platforms, video on demand, and social media, all leading to the ever-evolving realm of digital media. 

Today, we find ourselves in a vibrant tapestry of experiences, compelled by a fundamental need to share stories that help us make sense of our own lives and those of others.